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Thepiececontinuedtoevolveandtransformuntil2000,whentheguitaristdecidedtoputitonrecord。Herearrangedit,reducingthenumberofparts,anddecidedtoperformitallonhisown。
Theresultisathick,densemulti-trackguitarpiecewithbassandprogrammeddrums。The42-minutesuiteliessomewherebetweenGlennBranca’sguitarsymphonies(althoughalotlessminimal)andDavidTorn’sWhatMeansSolid,Traveller。
Highlyrhythmic,crunchy,butneverovertlynoisy,itisfirstofallashowcasefortheguitarist。Hissolosareburning,hispaletteoftonesmesmerizing。
Onacompositionallevelapocalypsoislessimpressive。Eachseguingmovementoffersadifferentatmosphere,butoverallthepiecetendstofeellinearandalotmoresimplerandrock-orientedthanearlyKrakataurecords。
"Oracle"openswithstrange,twangynotesandlayersuponlayersofatmosphericguitars。Anenergypeakisreachedinthetitletrack,awildnine-minutesolooveraninsistingrockpatternandanArabicorJewishfigurewhorecallstheunbridledenergyofNeZhdali。
Here,arealdrummerwouldhavebeenhelpful。NottheessentialBj?rkenheimCD,apocalypsostillmakesaverynicelistenandcontAInsseriousguitarchops。
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